Christina Jane

Christina Jane

artists
Christina Jane

Writer, Spoken Word Artist, Digital Artist, Performance Artist, Actor, Dancer, Model.

Biography

Christina Jane aka C. J. has experience with writing, visual arts and performing arts including singing, dancing and acting in theatrical and filmed performances since she was a child. As a Performance Artist and Actor, she has embodied her poetry in Films that have garnered critical acclaim and won over 60 International Film Festival Awards across the world at last count. The artistic poetry Film ‘Invisible’ contains three original artworks she has drawn as a Digital Artist. She has donated a mixed media collage to the ‘In Your Hands’ charity project. She has done character acting in many different short films and productions as well being a Podium/Freestyle Dancer, Contact Juggler and Model. She is a founding lead ‘Neurodelicious’ Member doing stage performances, film screenings and a documentary interview. She is also an Equity Member, ‘Stage Theatre & Film Company’ Member and the ‘Dead Poets Theatre Company’ Member. She’s also an ‘Underdog Crew’ Member and a Creative Consultant providing ideas and props for ‘Joseph Allison Films’. She’s a Screenwriter and Spoken Word Artist who has also performed at Autism Anglia’s ‘Neurofantastic’ event at Firstsite, at many ‘Emotional Madness’ and ‘Unfamiliars’ Events at various venues including Three Wise Monkey’s and Colchester Arts Centre, the ‘Mindfizz’ event at Colchester Library for Essex Poetry Festival, ‘Mindfull of Pride’ at Patch and performing under the name ‘Satine’ for the ‘Poetry Brothel’ event for Essex Book Festival. She also performs a poem as an icebreaker when being a Public Speaker for Neurodiversity. Her poems have also been published online, in ‘Slash’ Zines, ‘Magical Women’ Zines and in many ‘Unfamiliars’ Zines. She has a profile photograph and poems published in the recent book by The Ikouii Creative called ‘Inside Their Studio: Artists with Disabilities and their Collaborators’.

Art Practice

I got a 2.1 BA Hons. English Literature Degree from the University of Essex. I went on to complete Media Training by Mosaic Media and Active Essex. As a Neurodelicious Member I completed the ‘Relaxed Performance Training’ course given by Jess Thorn, aka Tourettes Hero. I’m always learning about writing, drawing/art and acting through online courses from providers like Udemy, Domestika and Masterclass.com. I do a lot of on-the-job learning whilst working with others, rehearsing and performing for film or the stage. The format my creativity comes out can influence the ideas I explore. The ideas behind my practice can be purely speculative or imaginative in my writing or drawing to provide escapism or it is intending to impart some wisdom or promote awareness and acceptance. My creative work also centres around the inherent challenges, difficulties and rewards of being newly diagnosed as an adult with Autism and ADHD as well as having the long-term diagnoses of Anxiety and Depression. Writing themes include coming to terms with these diagnoses as well as topics as varied as mental health, wellbeing, friendship, family and love. I’ve drawn digital artworks to explore neurodivergent identity and visualise these hidden differences and difficulties. I hope to help support, encourage and empower others to see previously unseen or unrecognised struggles of neurodivergent people or prove that we can be just as creative and empathetic.

Magical Women

It’s rare to have a female neurodivergent creative space. I enjoy being a part of it, submitting written work and photos/Film Still Frames to Zines.

Maddie Millett

Maddie Millett

artists
Maddie Millett

Potter, ceramic artist, doodle drawer, facilitator of outdoor creative and well-being workshops

Instagram  @muddie_maker

Facebook  muddiemaker1

Biography

Having been highly creative as a child and young person I then had a creative drought for a few years where I abandoned myself and my creativity in order to follow a destructive love and to travel the world. After this time I returned home with a renewed desire and need to create, and I found myself again. By then I was a mother and the need to explore my passions and interests took on a deeper, more searching character. Needing to have a mental and physical space to explore those interests and where they might take me I moved from London to Brighton to do a sculpture degree. This is where I unearthed some of the themes and ideas that preoccupy me still, years later. I began exploring my own response to the Land Art and Arte Povera movements, finding nature within the urban landscape, and making art with whatever everyday materials were available by skip-diving and finding thrown-away material on the street. I was simultaneously becoming aware of the dearth of women artists, in all genres. I channeled my anger at this into my work and did a lot of reading. I came across the book The Women Who Run with the Wolves by Clarissa Pinkola Estes, a Jungian psychoanalyst’s feminist interpretation of old folk and fairy Tales. My piece entitled Hidden Treasure consisted of a trail of ivy leaves leading to an ivy-covered makeshift grotto where a child’s apron contained a sacred clay figure, based on the story of Vasilisa the Wise and the intuition doll she hid in her pocket that guided her on to the right path. This is where my fascination with and love for ancient pottery figures began. My previous love of clay had been reignited. I was drawn to learning about the ancient view of the earth as a living being, as a mother, and how that notion had changed and been covered over by patriarchal beliefs and the raging monster of capitalism and consumerism. I wanted to use my hands to make with the substance of the earth, to uncover the sacred feminine and creatively embody the strong, powerful beauty and connection to land, soul and the earth as a living sacred being.

Artist Statement

I find my creative practice the best way to express myself. As a neurodivergent person I often prefer to show visually what I want to say rather than use words. I am inspired by the mystery and beauty of ancient pottery, and yet the simplicity and directness of the way it’s made. I want to create my own visual language, with signs and symbols that have meaning beyond the decorative and connect to a deep well of spirit and reverence for the sanctity of the natural world. The feel and texture of clay appeal to me, it’s malleable yet resistant properties, it’s earthy consistency grounds me. The mental sensation of relaxation yet clarity of focus that comes from making with clay is unique for my mind, and I find it better than mediation. Lately I have been experimenting with outdoor firing techniques, using a coarser more heat resistant kind of clay. I am loving the resulting unpredictable smoky patterns made by the flames licking the surface of the clay as it fires. I am also enjoying having a new kiln and will be testing out different glazes, patterns and surface treatments.

Art Practice

I love the feel of clay and the process of hand-building. I don’t throw on a wheel. I build a pot using the coil method or make pinch pots for smaller pieces. I also make tall standing figures using the slab method.
Clay connects me to the part of me that knows how to be calm and focused. When I am in the flow of creating with clay it is one of the only times I sense my usually busy mind slowing down, I feel grounded.
I am fascinated with ancient pottery, particularly the clay ‘goddess’ figures from prehistory. I feel a sense of something powerful and immediate, even though they are from so long ago. I take my inspiration from researching about ancient ceramics. I have mostly been making work in red clay lately, which I bisque fire and then put in a bonfire to give it a ‘smoke cloud’ decoration. It has an earthy, elemental look and is reminiscent of some of the ancient clay figures, bowls and pots I so love but it also has my own distinct style.

Magical Women

Magical Women is important to my continued creative development and my own discovery of my Neurodivergence, which is inexorably linked to my artistic expression. Here I have a space to feel confident and free as my unmasked self, a space that is not provided in most other settings for artists.

Stephenie Ares

Stephenie Ares

artists
Stephenie Ares

Poet/writer/actor/performer

Biography

My original name is Stephenie Ares from Winchendon Massachusetts. I graduated from the School of the Worcester Art Museum 1980 attended U-Mass Amherst Massachusetts. I have written poetry, art, and articles for Islamic magazines and the Independent daily newspaper in Bangladesh. I am an artist who has exhibited online in local galleries in Temecula California. I have appeared on the cover of Tiferet magazine 3 times. My art work and articles are influenced by spirituality and Sufism as well as is my poetry. My poetry and paintings have been published in the Magical Women zines.

Art Practice

My work has been featured in Islamic magazines such as Islamic Horizons, aboutislam.net, and mostly Muslim.com. My poetry has been published in Azizah magazine and sisters magazine. I am a converted Muslim married 41 years to my Bengali husband. My work is influenced by Sufism and Transcendentalism. Also the subcontinent. I also write about social issues. As an art teacher I have taught foster children with complex needs and I also work with autistic children.

Magical Women

MW stands up and is supportive for women like me. I feel it’s a space where I can be totally open with other women who are similar to me. I have felt an outsider all my life and grew up in a very dysfunctional family and I found refuge in the New England woods. My only friend growing up was nature. I have had a deep spirituality since I was young and found the Oneness of God and the connectivity of all living and inanimate things. I want to convey this in my art and writing and so I am interested in collaborating with Magical Women’s arts platform more. I always feel deep empathy for those who felt and suffered like me and I am also very concerned about climate change.

 Wendy Young

 Wendy Young

artists
Wendy Young

Poet/writer/actor/performer

 Instagram  @miserwithoomph

Art Practice

Wendy Wendy

She is moved to write through anger at injustice such as the news of the development of Soho, one Sunday morning raging in dressing gown and slippers, grooming gangs, homeless and destitute people, interesting stories of love, loss, the dramas of relationships, and through past travels and times abroad. It could be a sudden burst of desperation and has written poetry in many forms from rhyme like Right to Bite ‘I wish I’d been born at the bottom of the sea, nobody there to bother me’ (driven to near madness working in the housing department of Brent Council) to rap inspired work for instance when she ‘saw Jay Z on the BBC – he’s got 99 problems – now he’s got me’ (which is now a recorded track with the late, great Maggie Swampwino).    

And also collaborated with MW’s founder, Elinor Rowlands for her soundtrack Listening AS Activism: https://on.soundcloud.com/5pDcA

Biography

My art and poetry is drawn from life and healing.

Born in West Riding of Yorkshire, Wendy Young is a poet/performer who cut her teeth with Survivors Poetry, performing widely in London and beyond, at festivals including Shuffle, and Liberty. She has been published in South Bank Poetry, Anomalie Magazine, I am not a Silent Poet, Poetry Express, Militant Thistles and Disability Arts Online. Her publications include: ‘Living with Ghosts’ (Natterjack Poetry 2015), ‘Ooetry’ (William Cornelius Harris Publishing/London Poetry 2015) and ‘The Dream of Somewhere Else’ Survivors Press (2016).

As for many London adoptees, Wendy’s life is delineated by the before and after of arrival in the great metropolis. Evocative aromas of the nearby canal (preferably the murky bits), walking in graveyards, music, excessive cookery programmes, smoking, Hammer Horror and life’s horrors.  Past hotel work in London and Amsterdam led to rites of passages and back alleys – red light bars, prostitutes, gangsters and faux champagne giving added depth to the tag ‘Misery with Oomph’ and  L’esprit de scallywag! Turning past traumas into inspired work, Wendy writes to fulfil what’s missing; performs to feel alive; is always learning and feels writing can heal – after all it’s all some of us have. 

Wendy’s doodles developed after doing art workshop therapy in 2017 at Ashford Place NW2 with an encouraging inspiring artist – Francine. Discovered pastels and a love of intricacy. 

Wendy collaborated with MW’s founder, Elinor Rowlands for her soundtrack Listening AS Activism: https://on.soundcloud.com/5pDcA

 

Artist Statement

My work is for me and soothes my mind. I am mainly a poet/performer with a day job in the NHS so I tend to pick up a pen to draw to relieve stress.

I am moved to write through anger at injustice such as the news of the development of Soho, one Sunday morning, raging in dressing gown and slippers, grooming gangs, homeless and destitute people, interesting stories of love, loss, the dramas of relationships, and through past travels and times abroad.  

 

Magical Women


Magical Women were the first to publish my art and it was such an amazing feeling! My dabble doodle dos help me escape. I have done art workshops with Magical Women and highly recommend them. I have found validation by having work published by MW.

Jessie Currie

Jessie Currie

artists
Jessie Currie

Lens-based artist and writer, currently focusing on videopoetry and experimental film.

Biography

I am an award-winning Bristol based, Deaf, Neurodivergent, multidisciplinary artist and writer working mainly within digital storytelling.

I have been awarded The Best Women’s Filmmaker prize at The Swedish International Film Festival 2023 and The Miles Ketley Memorial Fund prize 2023 by The Independent Cinema Organisation. My work explores “moments of being” and the gaps between the spaces, incorporating play with shadow, light, movement, time and space.

My background is in Photography, community audio visual projects, and Artist Filmmaking has led to work with Artists Anna Lucas, Andrew Mania, Nathan Hughes and Stewart Croft. I have supported them with ideas generation, editing, sound recording, assistant direction, with my editing work for Andrew Mania being exhibited at The Guggenheim, New York. Beyond this, my work has been screened at: The Barbican, The ICA, Berlin International Arts, Boden International, Edinburgh International, Encounters, JÁ International Poetry, San Diego International Arts, Sheffield Doc, Short and to the Point Toronto, International Poetry Copenhagen, and International Women’s Film Festivals.

Since graduating in 2003 from UWE with a degree in Time Based Media, I have worked as a creative technician and workshop facilitator with Picture This Moving Image, Calling The Shots, and Knowle West Media Centre. With funding from Skillset I have created ‘My Story’ a filmmaking project enabling disenfranchised young people to express themselves though digital means.

My passion is to explore the hinterland between film, poetry, performance, music, spoken word, and photography. I want to democratise the consumption of culture, making these practices more accessible to new and diverse audiences.

Art Practice

I am a lens-based artist and writer, currently focusing on videopoetry and experimental film. My work has been selected for many different festivals, exhibitions and screenings around the world over the last decade, including: The Barbican, The ICA, Berlin International Arts, Boden International, Edinburgh International, Encounters, JÁ International Poetry, San Diego International Arts, Sheffield Doc, Short and to the Point Toronto, International Poetry Copenhagen, and International Women’s Film Festivals.

My work has been described as ‘…natural filmmaking, with an innate knack for telling a compelling story by weaving together the elements of film, text and sound. It is clear from her work that she has great empathy and the ability to draw out of people aspects of themselves that they wouldn’t ordinarily show to the world. Her films are immersive in the sense that they take the viewer somewhere else, enabling us to experience her subjects’ experience through the juxtaposition of visuals, text and sound – a juxtaposition that is typically lateral rather than literal. She brings poetry and art to the narrative medium of film and, in doing so, makes films that are rich worlds of atmosphere and sensory connection.” Janet Lees 2023

My work explores “moments of being” and the gaps between the spaces, incorporating play with shadow, light, movement, time and space. My passion is to explore the hinterland between film, poetry, performance, music, spoken word, and photography. My desire is to democratise the consumption of culture by breaking Artists Filmmaking out of the constraints of galleries & cinemas and projecting them in the public realm.
https://vimeo.com/771543230 – password bfi

Magical Women

It is vital for highly sensitive ND souls to have spaces too connect and create and, where they feel fully seen and herd.

Cusp – by Jessie Currie